{"id":489,"date":"2025-04-29T08:38:02","date_gmt":"2025-04-29T08:38:02","guid":{"rendered":"http:\/\/revolutionstrings.com\/?p=489"},"modified":"2025-05-23T15:37:16","modified_gmt":"2025-05-23T15:37:16","slug":"art-that-always-looks-ahead-an-interview-with-ivana-ivkovic","status":"publish","type":"post","link":"http:\/\/revolutionstrings.com\/index.php\/2025\/04\/29\/art-that-always-looks-ahead-an-interview-with-ivana-ivkovic\/","title":{"rendered":"Art That Always Looks Ahead: An Interview with Ivana Ivkovi\u0107"},"content":{"rendered":"<div class=\"K2FeedImage\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" alt=\"Art That Always Looks Ahead: An Interview with Ivana Ivkovi\u0107\" class=\"lazyload\" data-src=\"http:\/\/revolutionstrings.com\/wp-content\/uploads\/2025\/04\/2a8211061ac1a1cfa7dda638bcf67b44_L.jpg\"><\/div>\n<div class=\"K2FeedIntroText\">Ivana Ivkovi\u0107 (b. 1979 in Belgrade) observes that in moments of upheaval, art watches and waits. The Serbian artist works in the space between vulnerability and resistance, and she has taken to the streets. Her multidisciplinary practice traverses drawing, photography, installation, and delegated performance, and Ivkovi\u0107 often uses the male body to examine power, trust, foreshadowing, and collapse. She notes, in this way, that her work transcends time.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ivana Ivkovi\u0107 (b. 1979 in Belgrade) observes that in moments of upheaval, art watches and waits. The Serbian artist works in the space between vulnerability and resistance, and she has taken to the streets. Her multidisciplinary practice traverses drawing, photography, installation, and delegated performance, and Ivkovi\u0107 often uses the male body to examine power, trust,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":491,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine"],"_links":{"self":[{"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/posts\/489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/comments?post=489"}],"version-history":[{"count":2,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/posts\/489\/revisions"}],"predecessor-version":[{"id":492,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/posts\/489\/revisions\/492"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/media\/491"}],"wp:attachment":[{"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/media?parent=489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/categories?post=489"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/tags?post=489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}