{"id":529,"date":"2025-05-16T07:02:37","date_gmt":"2025-05-16T07:02:37","guid":{"rendered":"http:\/\/revolutionstrings.com\/?p=529"},"modified":"2025-05-23T15:37:55","modified_gmt":"2025-05-23T15:37:55","slug":"the-moon-underwater-madeleine-tonzi-hashimoto-contemporary-nyc","status":"publish","type":"post","link":"http:\/\/revolutionstrings.com\/index.php\/2025\/05\/16\/the-moon-underwater-madeleine-tonzi-hashimoto-contemporary-nyc\/","title":{"rendered":"The Moon Underwater: Madeleine Tonzi @ Hashimoto Contemporary, NYC"},"content":{"rendered":"<div class=\"K2FeedImage\"><img decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" alt=\"The Moon Underwater: Madeleine Tonzi @ Hashimoto Contemporary, NYC\" class=\"lazyload\" data-src=\"http:\/\/revolutionstrings.com\/wp-content\/uploads\/2025\/05\/e4456d2d900c6dbc9944aa541221ea24_L.jpg\"><\/div>\n<div class=\"K2FeedIntroText\">Hashimoto Contemporary is pleased to present The Moon Underwater, a solo exhibition by Los Angeles-based artist Madeleine Tonzi. The exhibition is an investigation into distortion and relationality. The landscape serves as a metaphor, speaking to the ways in which we relate to the world around us \u2014 each object placed within the composition provides meaning and context for the next. This body of work represents a formal and conceptual distillation of Tonzi\u2019s established visual language\u2014reducing it to its most elemental components which offer space for both subtle nuance and assertive form\u2014a sense of clarity in a world growing more obscure and complex by the day.&nbsp;<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Hashimoto Contemporary is pleased to present The Moon Underwater, a solo exhibition by Los Angeles-based artist Madeleine Tonzi. The exhibition is an investigation into distortion and relationality. The landscape serves as a metaphor, speaking to the ways in which we relate to the world around us \u2014 each object placed within the composition provides meaning&#8230;<\/p>\n","protected":false},"author":1,"featured_media":531,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-529","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-painting"],"_links":{"self":[{"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/posts\/529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/comments?post=529"}],"version-history":[{"count":2,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/posts\/529\/revisions"}],"predecessor-version":[{"id":532,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/posts\/529\/revisions\/532"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/media\/531"}],"wp:attachment":[{"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/media?parent=529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/categories?post=529"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/revolutionstrings.com\/index.php\/wp-json\/wp\/v2\/tags?post=529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}